Journal
Notes from the studio
Why every piece starts without a sketch
Process
Why Tima lets gel, resin, and raw pigment lead the first marks—and what it means to work with a material instead of planning every detail in advance.
Sourcing pigment the slow way
Materials
The warm mineral colors in Tima’s work connect to memories of growing up in Morocco, and to a slower choice of earth pigment over synthetic color.
Inside a commission, start to finish
Commissions
A commission begins with a conversation about your story, your room, its light, and the feeling you want to live with. Here is what to expect before the work begins.